Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jan ten Compe
Berckenrode Castle in Heemstede after the fire of 4-5 May 1747: rear view.

ID: 92365

Jan ten Compe Berckenrode Castle in Heemstede after the fire of 4-5 May 1747: rear view.
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Jan ten Compe Berckenrode Castle in Heemstede after the fire of 4-5 May 1747: rear view.


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Jan ten Compe

painted view of the Town Hall in 18th century   Related Paintings of Jan ten Compe :. | flagellation du christ a la colonne | The Little Peasant (mk39) | Verherrlichung des Kreuzes | Cardinal Albrecht of Bran-Denburg in portrait | 1852-1927 French Eugene Buland Locations |
Related Artists:
Jose Aparicio Inglada
1770-1838 Spain. b Alicante, 1770; d Madrid, 1838
Palma il Vecchio
(c. 1480 - July 1528), born Jacopo Palma or known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. He is called Palma Vecchio in English ("Old Palma" - in Italian Palma il Vecchio) to distinguish him from Palma Giovane, his great-nephew. When Palma arrived in Venice early in the 16th century, he reputedly was a companion and competitor of Lorenzo Lotto, and to some extent a pupil of Titian. He may also have taught Bonifazio Pitati and influenced Giovanni Busi. Palma's earlier works betray the influence of the Bellini.
Friedrich von Amerling
Austrian Academic Painter, 1803-1887,Austrian painter. He came from a family of craftsmen and studied (1815-24) at the Akademie der bildenden Kenste, Vienna, where one of his teachers was the conservative history painter Hubert Maurer (1738-1818). From 1824 to 1826 he attended the Academy in Prague, where he was taught by Josef Bergler. In 1827 and 1828 Amerling stayed in London, and he met the portrait painter Sir Thomas Lawrence, whose work was to be a strong influence on Amerling's painting during the next two decades. Amerling also travelled to Paris and Rome but was recalled to Vienna on an official commission to paint a life-size portrait of the emperor Francis I of Austria (Vienna, Ksthist. Mus.). With this work,






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